Паризький текст у творчості Лесі Українки

Abstract

Статтю присвячено геокультурним вимірам творчості Лесі Українки. Особливості паризького тексту письменниці розглянуто на матеріалі оповідань, драматичного діалогу «Три хвилини», статті «Голос однієї російської ув’язненої». Відзначено гендерну особливість структури паризького тексту та його багатошаровість. The article deals with the geo-cultural dimensions of Lesya Ukrainka works. It is characterized the Paris discourse on the material of the stories, dramatic dialogue “Three Minutes” and the article “The Voice of a Russian Prisoner”. Lesya Ukrainka also comprehended the artistic interpretation of the Paris topos in her own literary critics. The features of the city vision, key semiotic signs and associations are analyzed in the article. It is marked the gender pole of the structure of the Paris text and rejection of gender stereotypes in its nucleus, which focuses on the morality. The concept of Paris is layering (mass-culture, sociocultural existence, art, etc.) and mostly has distantiated image of the French capital as a city of dreams, a ghost town. It is proved that Lesya Ukrainka was one of the first writers who began the formation of the Paris text in Ukrainian literature.